Bonsoir Bruce
Programme identity · title and motion behaviour
A direct and rhythmic motion identity for BFMTV’s personality-led political analysis programme.

PROGRAMME IDENTITY AT A GLANCE
The project is shown as a complete programme family: motion behaviour, subject cards and social thumbnails. The images remain full-bleed so their original composition is preserved.



MOTION RECORD
Opening, lower thirds and digital applications are shown as one programme language rather than isolated editorial thumbnails.
Open the complete Bonsoir Bruce record ↗VISUAL RECORD
Original project on Behance ↗The subject cards are shown uncropped and at a consistent scale so the original typographic composition remains visible.





PROGRAMME
Bonsoir Bruce was built around a strong on-air personality and an incisive editorial tone. The identity needed to feel immediate on television while remaining clear in replay clips and digital publishing.
GRAPHIC LANGUAGE
A reduced vocabulary gives the package its force. Typography, lines and cuts establish a consistent rhythm across programme titles, topic cards and social thumbnails.
MOTION SYSTEM
Opening and closing animation, dynamic lower thirds, extracts, replay, stories, carousels and advertising formats were animated in After Effects as related applications rather than isolated screens.
RESULT
The same narrative and visual character remains recognisable from a television title sequence to a small mobile thumbnail.
BEHANCE PROJECT RECORD
The visual selection is concise; the project record remains complete. These notes retain the context, role, decisions and formats documented on Behance.
For season two of Bonsoir Bruce, I designed the programme’s motion identity. This personality-led political analysis format required an immediate, rhythmic package able to express the direct tone of the programme and adapt to digital publishing.
The work covered opening and closing animations, dynamic lower thirds and versions for short clips, replay, social posts and digital advertising.
Bold typography, angular lines and direct transitions create a minimal but forceful language. Built in After Effects, the system keeps its narrative and visual coherence across television, YouTube, stories and carousels.
Open the original Behance project ↗