P—OピオビBRUNET

ABOUT / PIERRE OSCAR BRUNET

Visual culture,
motion and systems.

Pierre Oscar Brunet is a Paris-based art director, motion systems designer and visual artist.

He initially trained in printmaking at École Estienne before studying at the Beaux-Arts de Paris, graduating in 2015. His artistic practice developed through print, installation and experimental film, with research connected to Finland, landscape, light and perception. His work was presented at the Salon de Montrouge in 2018.

His relationship with moving images progressively expanded into graphic and motion design. From 2020 to 2025, he worked within BFMTV / NextInteractive, developing digital identities, editorial illustration, motion graphics and visual production systems.

His current work focuses on editorial motion systems: translating visual identities into reusable tools for video production. Recent collaborations include LCP — Assemblée nationale, HuffPost, Courrier International and Têtu.connect.

POSITION / FUTURE JOURNALISM

Designing the tools through which tomorrow’s journalism becomes visible.

I explore new modes of creation to build tools that help journalists express information visually.

Digital platforms are not neutral containers. Mobile, social, web and real-time formats are becoming the primary spaces in which information is encountered. Each needs visual codes designed for its pace, scale and mode of attention.

The challenge is to turn those codes into reliable editorial systems: clear enough to protect hierarchy and sources, flexible enough to respond to events, and simple enough to be used every day by journalists and editors.

CURRENT CAPABILITIES

One continuous production chain.

My practice connects editorial reasoning, visual direction, motion and technical implementation.

  1. 01

    Frame the information

    Identify the subject, sources, hierarchy and narrative before designing its form.

    • Editorial strategy
    • Information hierarchy
    • Sources & data
  2. 02

    Define the visual code

    Build a recognizable language that clarifies the information without flattening its complexity.

    • Art direction
    • Typography & illustration
    • Data visualization
  3. 03

    Design the motion

    Turn hierarchy into timing, behaviour and sequences native to each screen.

    • Motion design
    • Responsive formats
    • Broadcast & social
  4. 04

    Build the tool

    Translate the direction into responsive components that stay coherent in production.

    • OGE / MOGRT
    • After Effects Expressions
    • Premiere Pro Integration
    • Automation & real time
  5. 05

    Put it in journalists’ hands

    Test the system with its users and expose only the controls that support editorial decisions.

    • Usable controls
    • Production testing
    • Documentation
OUTPUTA visual system journalists can actually use.

Distinctive on screen, coherent across formats and durable under the pressure of daily news production.

Selected chronology

  1. 2008–10École Estienne

    DMA Printmaking

  2. 2010–16Jyväskylä / Houston

    Printmaking residencies and exhibitions

  3. 2012–15Beaux-Arts de Paris

    MFA, Jean-Michel Alberola studio

  4. 2018Salon de Montrouge

    Dissolve Spaces / 15m Carré

  5. 2020–25BFMTV / NextInteractive

    Digital art direction, motion and production systems

  6. 2025–26LCP — Assemblée nationale

    Editorial graphics and infographic systems

  7. 2026HuffPost · Courrier International · Têtu.connect

    Editorial motion systems

ARTISTIC BIOGRAPHY / ARCHIVE

Exhibitions, education and residencies.

This record preserves the artistic trajectory documented by the previous website, while the main biography keeps the professional and artistic practices within one continuous path.

Selected exhibitions

  1. 2018Salon de Montrouge · Paris

    Dissolve Spaces / 15m Carré

  2. 2018Galleria Ratamo · Jyväskylä

    Muistin väri · solo exhibition

  3. 2017DADA Post · Berlin

    Plittered Planes · group exhibition

  4. 2016–15Galerie Ici Montreuil / Galerie du Crous · Paris

    Réminiscences / Mères Mirages · solo exhibitions

  5. 2015–13Beaux-Arts de Paris / Pantin

    Paris Hypnagogia · Le Supplice de l’Instable · Dématérialisations

  6. 2012–10Uppsala / Paris / Jyväskylä / Houston

    Hemkomst · Homonymes Communs · Cloud Stereotypes · Homonymes Anonymes

Education and residencies

  1. 2012–15Beaux-Arts de Paris

    Master of Fine Art · Jean-Michel Alberola studio

  2. 2008–10École Estienne · Paris

    DMA Printmaking

  3. 2011–16Ratamo · Jyväskylä

    Repeated printmaking residencies

  4. 2010–11TCA Studio · Houston

    Texas Collaborative Studio residency